Punchdrunk Theatre Company has dared to submerge the audience in a Gothic-Surrealist atmosphere like in its very well called Immerse Theatre. Temple Studios, a large and high old building, is the chosen place where the adaptation of the gloomy Büchner’s work, Woyzeck, is taking place in the city of London.
The spectator is introduced to the dark scenario wearing a white mask which allows him to differentiate between the public and the actors. Immediately he finds himself locked in a metallic lift where his journey to an unknown world of sex, violence and despair begins. The spectacle is distributed among different floors and spaces where darkness and bright colours are intertwined to create a high tension experience behind different musical tonalities which make of the journey a very sensorial one. Indeed, the play is based on effects, dancing, body expressions rather than on narration.
Every character has his own story and the spectator is left to follow the destiny whomever he wishes running through corridors, scales, and sandy or wet grounds. The adultery story of Woyzech takes now place in some uncanny Hollywood studios where young actors die mysteriously and relationships are unreliable. Immersed in the life of the characters, the spectator becomes a voyeur completely ignored by the actors; he can touch all kind of structures and decoration, open drawers, read letters, observe closely the reactions of the characters being always unnoticed.