“Between the House and the Hut: An Erotic Approach of Space in Lady Chatterley’s Lover.” The Poetics of Space in Twentieth and Twenty-First Century Culture. University of Portsmouth, Portsmouth, 29 May 2014.
Lady Chatterley’s Lover (1928) is a novel mainly structured around two main spaces: Lady Chatterley’s domestic space, and her lover’s hut in the woods. These spaces articulate Lady Chatterley’s desire and sense of femininity making them highly erotic. In her domestic space Connie Chatterley lives with her impotent husband, almost always secluded in her room. Connie finds an emotional and sexual distance from her husband, which is also expressed through the magnificent architecture of the mansion. However, her relationship with Oliver Mellors, and their sexual encounters in the hut, gives her the human and emotional contact she desires. She finds her realization as a woman in the primitive: the hut in the woods. According to Gaston Bachelard, the hut is a symbol of primitiveness which gives us a high sense of protection and refuge far from the civilized and crowded houses. I argue that the hut embodies Lady Chatterley’s longing for intimacy, her refugee and sense of primitiveness where she meets again with her sexual being: the most primitive sense of femininity. Hence, body and space correlate with each other empowering the image of the hut through sexuality: Lady Chatterley inhabits the hut as well as she is inhabited by Mellors, a fact that leads from the origin of habitation to the origin of human life. In this context I will analyse the dialectics of desire in Lady Chatterley established around the domestic space and the hut.